
Gods & Monsters
Shelby Mahurin
Author Reading Guide
Shelby Mahurin is the New York Times bestselling author of the Serpent & Dove trilogy and the Scarlet Veil duology, YA romantasy built on witches, vampires, and enemies forced to share close quarters.

Shelby Mahurin

Shelby Mahurin

Shelby Mahurin

Shelby Mahurin
Shelby Mahurin grew up on a farm in rural Indiana, and her path to publishing was the classic modern one: drafting in stolen hours, querying, and landing a deal with HarperTeen that turned her debut into an instant New York Times bestseller. That debut was Serpent & Dove in 2019, and it arrived at exactly the right moment. BookTok was hungry for witchy enemies-to-lovers stories with real banter, and Mahurin delivered one with a premise that sells itself: a witch and a witch hunter forced into marriage.
What defines her writing is voice. Lou, her debut's heroine, is crass, funny, and allergic to sincerity, and Mahurin lets her be genuinely abrasive rather than cute-abrasive. The romance works because the ideological gap between the leads is real. Reid is not secretly progressive; he actually believes witches should burn, and watching that certainty erode is the engine of the book. Mahurin also loves a found-family ensemble, and her side characters (Coco, Ansel, Beau) tend to generate as much fan attention as her leads. If found family is your trope, she writes it with actual stakes, meaning she is willing to hurt the people you love.
The Serpent & Dove trilogy runs through Blood & Honey (2020) and Gods & Monsters (2021), and it is worth knowing the middle book is divisive. Blood & Honey slows down and splinters the group, and readers either enjoy the darker turn or resent the wheel-spinning. The trilogy finale pulls things back together with a bigger mythological canvas. In 2023 she returned to the same world with The Scarlet Veil, swapping witches for vampires and following Célie, a side character from the original trilogy, into a gothic murder mystery. The duology closed with The Shadow Bride in March 2025, which leans harder into death magic and grief than anything she wrote before.
Heat-wise, Mahurin sits at the upper edge of YA. On our spice scale her books land around 1 to 2: kissing with intent, one or two fade-to-black or lightly on-page scenes in the trilogy, nothing explicit. The tension does the heavy lifting. If you want the marriage-forced-intimacy dynamic with adult-level heat you will need to look elsewhere, but as enemies to lovers slow-burn goes, Lou and Reid remain one of the most satisfying YA executions of the trope.
For romantasy readers, Mahurin matters because Serpent & Dove is a gateway book. It shares DNA with the adult titles that dominate the genre (banter-forward romance, oppressive religious institutions, morally messy magic) while staying accessible to readers who are not ready for explicit content. She is also a bridge author for the witch subgenre specifically, which romantasy tends to underserve in favor of fae and dragons.
A word on how her books read moment to moment, because it explains her staying power. Mahurin structures chapters in alternating first-person points of view, so you are always inside both halves of the romance, watching each character misread the other. It is a simple trick executed with unusual discipline, and it makes the slow thaw between her leads feel earned rather than scheduled. She is also funnier than the gothic packaging suggests. The Serpent & Dove books are full of genuine comedy, from Lou weaponizing innuendo against her scandalized husband to Beau treating mortal peril as a personal inconvenience. That tonal range, grim stakes delivered with a light hand, is harder to pull off than either pure darkness or pure fluff, and it is the thing her imitators most consistently fail to copy.
Start with Serpent & Dove, no question. Read the trilogy in order: Serpent & Dove, Blood & Honey, Gods & Monsters. The Scarlet Veil duology works as a standalone entry point if vampires appeal more than witches, though you will get more out of Célie's story having read the trilogy first. Go in expecting voice-driven YA with teeth, and be patient with book two of the trilogy; the payoff in Gods & Monsters is worth it.